Yall cant stress what we on
The progress stretch for eons
Niggas must be trippin if they think gone step to me wrong
When u got that heat they wanna blow u like memory cards
Always yet never involved
God complex ever evolved
The context better be strong if u gone let it be known
If not then let it be, observe how the energy form
i dont do big talk, i let the weaponry warn
mentally sharpening swords
whipping up chemical bonds
The modern melody corn
u close ya eyes for just one second ya blessings be gone
das why my drive different like imma invest in Elon
shoutout to dem folk at NIO, we going up and beyond
i cant to attest the norms, my social chemistry off
soaking up mama love yet the streets tell me never be soft
tap in to the balance til the resonance endlessly strong
yalll dont war yall really dont ive said before
it dont take much to spare buck to open doors
ill be flipping products u probably wont find in no stores
sittin on a million im still one to pop a coors
of course
Its dead great til blood spilled like black skin in red states
A considered scientific reconstruction of the hardcore NY rap album. You feel the cold chill that feels like NY but it's really the kind of cynicism this heinous world leaves the considerate ones. danielolneyfme
"i did not write this for you, so how can you critique" is a weak shield for any artist's fragile ego. i'm sure maassai & those involved in this work didn't lose it over Pitchfork-so-white's critique: (https://pitchfork.com/reviews/albums/maassai-with-the-shifts/)
It's now a powerful conde nast publication. Jeremy Leaming
...it's a work of art. The way he goes across genres to express the black experience...I LOVED Ensley but I'm glad that he went totally left. James Smith